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As I continued to make a few more blocks I suddenly felt a connection to my paternal grandmother who sewed and made at least one pieced quilt top.
I continued making blocks and got up very early the next morning and made quite a few more. As I was making the blocks I started to think of the similarities and differences between my self and my grandmother who had passed away quite a few years earlier. That evening after our quilt guild meeting I went out for coffee with Julie Silber. Julie told me about the lecture she was preparing called "The Grandmother Connection".
Of course I had to tell her what I had been working on. She asked me to keep in touch.
I worked on those blocks every spare moment and had the top done in one week, including the pieced border. (I was also teaching a full load of classes at the time) As I worked on it I wrote down my thoughts about my grandmother and myself and our similarities and differences.
When I finished it I laid it on the floor and planned on layering and quilting it quickly. Somehow I was paralyzed when it came to doing this and yet I felt I had to do the quilting myself. It laid on the floor for a month or two until the cleaning lady folded it up and put it on the table.
After several months I decided I just couldn't quilt it so I sent it away to be quilted. I asked the quilter to quilt along both sides of each piece.
On a Saturday morning Julie was lecturing again in our area. The quilt returned from the quilter the day before the lecture. I brought it along to show her and she asked me to send her my story.
I went to Hilton Head Island that year in January with the intention of doing some writing including the writing of the story. I forgot my notes so just started writing what I remembered longhand (didn't have a lap top then!). I wrote until I had 13 pages. Being superstitious I added one more page. I sent the letter off to Julie along with some slides of the quilt, a few of my other quilts and the quilt top my grandmother had made that I was lucky enough to have.
I call this quilt Threads Through Time and it is a tribute to my grandmother and my parents.
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I was one of the quilters featured in Julie's lecture but I wasn't able to see and hear the lecture for several years.
When I finally did I will have to say it is one of the most moving and emotional lectures I have ever heard. (This has nothing to do with the fact that I am one of the quilters she talks about) If you ever have a chance to attend this lecture drop everything and go. I have enjoyed every lecture of hers I have been fortunate enough to attend.
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One of the reasons I was able to create this quilt in such a short time is because of something I did with my extra fabric each time I finished a project. I cut it all into 1 1/2 inch strips. I sorted them by light and dark. They were already cut when I started to make this quilt. When I had finished and joined the 96 blocks I had a lot of dark fabrics left and very few lights. I sewed enough darks together to make a border. Although this was done out of necessity the dark border grounded the quilt and finished it off. It also made me realize that most quilters use a lot more darks than lights and that is probably why many old quilts have dark borders.
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I've included these close ups of some of the fabrics. Those of you who were quilting in the 70's and early 80's will enjoy looking at them and saying "Oh, I remembber that fabric." or "I used that fabric when I made the quilt for ...."
You can click on any of these photos to see a larger immage closeup.
The puzzle I am sharing with you tonight also has a grandmother connection. The purple glass bowl belonged to my grandmother. I filled it with sealife I acquired when I visited my friend Suzie in Maine 2 years ago. The lamp belonged to my great aunt, my grandmothers sister. The Santa's are done by an artist who's name I do not remember.
I'm also sharing this as the first of several Christmas vignettes with you. The puzzle cut I am using reminds me of snowflakes.
1 comment:
I remember all of those fabrics and I was teaching in the same time period. We were so excited to have such a large assortment of calico prints then. I think I went to a presentation by Julie in Houston with Darlene Roberts.
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